1. Atlantic Starr Greatest Hits Rar
2. Atlantic Starr Greatest Hits Album

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Original version written by Loudermilk in 1959 and recorded by (Cherokee Indian) Marvin Rainwater, entitled ' Pale Faced Indian'. It was released as the B-side of his 'Wayward Angel', and Billboard magazine did not think much of it ('the chanter tells of the sufferings of the Cherokees after they were forced onto the reservation; flip appears stronger'). Loudermilk later reshuffled some lyrics and released it in the mid 1960s as 'The Lament Of The Cherokee Reservation Indian', which was shortened later to 'Indian Reservation' by Don Fardon scoring a worldwide hit.

The Raiders (vocal Mark Lindsay) copied it for the US market of Pale Faced Indian A well-known story is that when Loudermilk was asked by American Top 40 radio show about the story behind the Raider's hit Indian Reservation, he concocted a tale that he wrote the song after crashing his car in a blizzard and being kidnapped by Cherokee Indians. He claimed that they tortured him for days and only let him go after he promised to write a song about their plight. DJ Casey Kasem ran the story about four times and called it the 'one of the most incredible stories we've ever told on AT40' The song has not only been used by American and Canadian Indians as a protest song. In 1972 a Jamaican black reggae version was recorded (new lyrics and re-titled 'African Blood') and in 1994 Slovenian fascisto-rock band Laibach made a powerful cover. In their 'National Reservation' they comment on how Eastern European Balkans nations are being Americanised and Japanised. ← picture sleeve of the early Japanese 45rpm Hickory release of the Roy Acuff Jr.

Version ← Kiowarini (ps. For Francois Vincent de Betsiamites), a 'French-Canadian indian', recorded it in French: Le Cri de la Nation (not on the depicted LP) → Sleeve of a 1977 French single release; a disco beat version arranged by Ray Knehnetsky, a US musician moved to Paris ← An Italian translation Fra le lacrime e la terra (1971) by Daniel, who is better known as French born actor/ singer Daniel Beretta →Danish version by Per Carsten, 1971, as Den lille kommunes klagesang (=Little Community's Lament). Carsten was an actor, jazz flautist, writer of film scores.

←German release by ORS (Orlando Riva Sound), 1980 disco Norwegian and French release of Raiders' version George Hamilton V performing the song in a 2013 radioshow:. Margie Bowes, a North Carolina country singer, was married to Doyle Wilburn of the Wilburn Brothers. Sang at the Opry in 1959 and 1963. Voted #2 in Billboard's C&W Jockeys Poll Most Promising Female Artist in 1958 and 1959 (after June Webb), 1960 (after Jan Howard) and 1961 (after Loretta Lynn) In 2004, Margie had a foot amputated. Her foot was seriously injured in a vehicle accident in 1995, and required numerous surgeries prior to the amputation.

Her 1960 Loudermilk song, a good, up-tempo hillbilly ballad, was one of John D.' S first songs in the long list of recordings for Acuff-Rose and Hickory records in Nashville.

Lyrics: Who's that sneaking down the fire escape Who's that peeking through the garden gate Who's on the loose, but can't be found Big Daddy's Alabama bound Big Daddy's Alabama bound (2x) Police is searchin' but he can't be found Big Daddy's Alabama bound Somebody ran off with the mayor's wife Somebody tried to take the police chief's life Somebody stole the judge's ragged old gown Big Daddy's Alabamy bound. Highway patrol and the F.B.I. Is out huntin' this criminal They got their hound dogs sniffin' the ground Big Daddy's Alabamy bound. ©1961 Acuff-Rose Publ. Source: Standard Songs, Acuff-Rose Pub. A good, fast catchy teen song, Jimmy Bell, (← in the studio with Boudleaux Bryant and Floyd Cramer).

Jimmy was in fact Jimmy Sweeney, a black Nashville R&B singer/ songwriter who sang in the 1940s with the Five Bars and later worked for Hickory Records. As 'Jimmy Bell' he had a big hit in Canada, doing the original 'She Wears My Ring', a song later to be covered by Elvis. It was the Boudleaux/Bryant adaptation of the old Italian 'La Golondrina'. 'Lunch in a Bucket' was intended to be the follow-up. Song was released as a surprise hit in South Africa, where the song title had extra impact thanks to Suid Afrika's famous railroad line between Johannesburg and Kaapstad (Capetown), die Blou Trein (Blue Train). The record charted #2 in July 1963 in South Africa and stayed in the top 10 for over 3 months. In Germany the single charted #26 in 1963.

The song was in 2002 revived by Doyle Lawson, who did a sparkling blue grass version that got rewarded with the 2003 IBMA Award Song Of The Year. Below: in a 2013 radioshow, John D. Tells the story of the Blue Train; George Hamilton IV, John D.

And his son Mike Loudermilk perform the song. Loudermilk's inspiration for 'Bully Of The Beach' came from the advertisements for the 'Charles Atlas System', a body building course.

In every 1930 and 1940 magazine a comic beach story illustrated how it worked: 'Are you tired of getting sand kicked in your face, I promise you new muscles in days!' Loudermilk isn't the only one to have made a parody on this. Bernard ' Holtrop, the best cartoonist of the 20th century (at least that's how he will be judged in 100 years), made his version in the 1970s, a short story 'Monsieur Muscle': Seems to come straight from the: Left: A great big bully kicked sand in my baby's face. Centre: She left with him arm in arm. Right: So I went home and I ordered me a book on how to get to be big and strong!

Clip of John D performing Windy & Warm, in 2007, Ford Theater, Nashville TN, in the Series Poets And Prophets organised by the Country Music Hall Of Fame And Museum: (← Click image to play the clip) John tells how he played the song for Chet Atkins, and Chet picked up a guitar and finished the song before John could finish it, though John had written the song! There's a load of pickers practising 'Windy and Warm' on YouTube. Just enter the song title in the search box and watch the song being done by dozens of amateurs and professionals. Loudermilk has shown an interest in weather phenomenons. It was an inspiration to song titles of some of his songs (Windy and Warm, Cloudy and Cool, Long Dry Spell), also figures in 'Darling Jane'.

I've been told that in the 1960s a guy recorded the song with lyrics added to it. Chuck Kruger did a 'Windy & Warm' in 1978, but it is another tune. On her 2014 album, Eagles Calling, delivers the song with lyrics. Hear a of the song.

(Lyrics by Don Humphries) Well here I sit, caught in the middle, I can't find a dobro, can't play fiddle, been playing this song since I was little trying to play 'Windy and Warm.' I heard Chet play it when I was just a youngun. Old Doc played it long and strong, and here I sit, longer and longer, trying to play 'Windy and Warm.' You see what I mean, it's a real tough one. I gotta get it right, there ain't no bluffing. And when I get it right, I'll be the stuffing, when I get the 'Windy and Warm.' When I get old and ain't worth a damn, give my finger to Uncle Sam, Scatter my ashes up on the farm, up there where it's windy and warm.

When I get to heaven and they give me a harp, I hope it's tuned in C#, I'll be playing it right from the start, trying to play 'Windy and Warm'. The singer Jan Sanders, who covered Reap Just What You Sow, was a mystery to me.

Internet seemed to give no information at all about the singer. So I asked for help on the site. I was very glad to get an answer from rockabilly artist, who knew Jan Sanders back in the sixties. He wrote: Jan Sanders was from Wabash, Indiana. Real name Jan Hutchens. I knew him; he was more of a producer but wrote and sang. He was a fan of Loudermilk and thought JDL was a great songwriter and had me to buy his album to study how to write!

Jan had a studio in Indy. His Tigre label recorded (1962-63) In The Still Of The Night by the Reflections and Quit While You're Ahead by the Chordells. His name is in the credits on first Ral Donner album he helped with. A story never told - he did a great version first of Thou Shalt Not Steal - best I ever heard by singer Rick Fortune. He sent the demo to California - no interest. A couple of months later the Dick and Dee Dee using his arrangement but not as good, came out. Yes, ironically they stole the record!

I still have a tape of the original produced by Jan! The song was released almost simultaneously in 2 versions. The version by the Lennon Sisters was reviewed in Billboard, Aug.

The reviewer wrote, 'The young gals easily have their best single to date in this cute, bright waxing of the fine John Loudermilk tune. Smart arrangement helps, too.

Watch this one.' The release by Sue Thompson was published in Billboard Aug. 21, 1961, one week later. The author of the review wrote, 'This is the original version of the tune and a mighty good version it is. The lass sells it with feeling over good backing.'

Sue's version of the song peaked at #5 th the Hot 100 in October 23, 1961. She had beaten the Lennon Sisters by far: that same week, the version of the Sisters reached its peak, it came no higher than #57.

Atlantic Starr Greatest Hits Rar

The song was the start of the career of Sue Thompson as a teenage idol. Though Sue was already a 35 years old country music veteran at the time, mother of a teenage kid and in her 3d marriage by then, her voice still sounded like an innocent teenager. Lyrics: He said he had to work so I went to the show alone They turned down the lights and turned the projector on And just as the news of the world started to begin I saw my darling and my best friend walk in Though I was sitting there, they didn't see And so they sat right down in front of me And when he kissed her lips, I almost died And in the middle of the colored cartoon, I started to cry Oh, sad movies always make me cry (2x) So I got up and slowly walked on home And mama saw the tears and said, 'what's wrong?' And so to keep from telling her a lie I just said sad movies make me cry Oh, sad movies always make me cry. ©1961 Acuff-Rose Publ. (source: Standard Songs, Acuff-Rose Pub.

One of Loudermilk most interpreted and performed songs. The song was written in January 1962. Loudermilk remembers about first recording the song on dub with Don Gant and Norro Wilson: 'Now it was Don Gant who suggested: John, you need to repeat that line 'then it don't work out, then it don't work out.' And that was a good idea, it sounded good, it was a little hook, you know.' ←First release was in Feb. 1962 by Don Cherry on the Verve label, a subsidiary label of MGM.

Atlantic Starr Greatest Hits Album

Billboard did not think much of it: mentioned in the section 'moderate sales potential', without any review comment added. The 45 did not sell.

This Don Cherry is not the famous jazz performer, but a crooner who had a 1956 million seller with 'Band of Gold' (not the Freda Payne song) and became a professional golf player in 1962. He golfed his way into the top 10 US open and had a career of 30 holes-in-one. At the age of 80, Don still plays golf and performs as a singer. Loudermilk's first release of the song was on a South African 45 (RCA-657), where it was intended to be a follow-up to JDL's local chart success Blue Train.

This version was with strings orchestration and Anita Kerr chorus backing. In the US the version with Kerr and strings was released in 1965 as B-side of That Ain't All (RCA 47-8579). Later a superb version was recorded by Loudermilk for his 1967 Suburban Attitudes' album. A strong and simple version, strings, orchestration and chor.