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The Line 6 POD Studio UX2 recording interface combines the stunning sound of the POD Farm plug-in with a rock-solid and powerful USB interface. Line 6 versions of the immortal guitar, bass, and effects tones essential to the success of countless platinum-selling albums are now available for recording guitarists thanks to POD Studio UX2. NOTE: As of April 2010, if you order this product, you'll automatically be upgraded to POD Farm 2.0. In 1998, Line 6 released the Amp Farm amp modeling plug-in and forever changed the way guitarists record. Ten years and dozens of groundbreaking creations later, Line 6 continues the recording revolution with POD Farm. POD Farm, the Premium Tone Plug-in From dark and smoky American combos to blazing, gain-crazed English stacks, the sounds of hundreds of fully adjustable amps and cabs, plus studio-standard effects, stompboxes, and preamps are here for you to define your music and cement your place in history.

POD Farm plug-in features the sounds of the sought-after vintage essentials and must-have modern monsters necessary for a pro-sounding recording. It includes 18 immortal guitar amps (modeled after Fender, Deluxe Reverb, Marshall JCM-800, Vox AC-30 Top Boost, Mesa/Boogie Dual Rectifier, and more), 24 guitar cabs, 5 bass amps and 5 bass cabs, 29 essential stompbox and studio effects (modeled after EP-1 Tube Echoplex, Ibanez Tube Screamer, MXR Phase 90, LA-2A studio compression, and more) and 6 crucial mic preamps (modeled after Neve 1073, Avalon Vt737, API 512c, and more). Drag-and-drop models into the signal flow, pre- or post-amplifier. The carousel-style gear browser, displaying each and every coveted model, provides an experience that's a dream come true. Creating classic tones or imaginative hybrids is incredibly fast and easy.

Fully adjustable, each model offers total tweak capability. Also, with hundreds of presets available, classic gear combinations can be chosen to provide timeless tones in an instant. Plus, get your free FX Junkie model pack and add 35 more effect models including synths, filters, delays, and more to POD Farm. POD Farm is Mac AU/RTAS/VST and Windows RTAS/VST compatible for seamless integration with all major recording software applications. UX2, Low Noise for the Clear Recordings The Line 6 UX2 recording interface boasts amazingly low noise for recording guitar, 12dB more dynamic range than similar interfaces, for clear and dynamic recordings. Plus, exclusive Line 6 ToneDirect monitoring virtually eliminates latency, allowing you to record with amp and effect modeling without sacrificing tone or feel.

Versatile and powerful, the UX2 interface boasts a comprehensive I/O featuring two 1/4-inch guitar inputs (normal or pad), two balanced XLR inputs with high-quality mic preamps, phantom power and trim knobs, a 1/4-inch stereo monitor input, two 1/4-inch line inputs, two balanced 1/4-inch line outputs, S/PDIF digital output, a 1/4-inch stereo headphone output with level contro See full description. The Radial Phazer is a +4dB line level phase alignment tool that lets you bring two sound sources into phase alignment to guarantee that the fundamental frequencies play in sync. On electric guitar, for example, you can use the Radial Phaser to combine the direct feed from an amp with the signal of a room mic to create incredibly fat, rich tones. On a kick drum you can combine the attack from a close mic'd bass drum batter head with the boom picked up by an ambient shell mic. Combining top and bottom snare mic signals nets you a big in-your-face sound. For acoustic instruments, combining a spot mic with a room mic captures textures like you've never heard before. Unlike Class-AB devices that suffer from zero-cross distortion, the Radial Phazer is designed from the ground up for optimum sound quality and features 100% discreet Class-A circuitry.

This results in smooth and natural sounding phase curves that are particularly important in the lower frequency spectrum. 0 to 180 degree phase adjustment is performed with a single knob, making it easy to zone in on the sweet spot. For the more adventurous, a 180-degree polarity reverse switch accesses the 181 to 360 degree range and lets you create weird to absurd 'Phazed' tonal textures. This is augmented with a variable low-pass filter that lets you focus the effect in the lower frequency spectrum where phasing is most audible. Built Radial-tough for the road, the Phazer is equipped with an innovative bookend design that creates a protective zone around the knobs and switches. Construction is 14-gauge steel with a welded internal I-beam frame that protects the sensitive electronics in even the harshest touring environments. A bottom no-slip pad provides electrical insulation to eliminate electrical bonding, and mechanical isolation to reduce mishap.

The Radial Phazer is a creative tool for the studio designed to expand your tonal palette. Live, it delivers great sound fast and may well turn into your best audio soul mate.DevelopmentMessing around with 'time travel' is not new In the dark ages of the 1970s, MXR, with their groundbreaking Phase 90 and Phase 100, ignited interest in phasing by way of modulating the phase effect for electric guitar. This inspired Radial's chief engineer Denis Rozon to start messing with phase circuits in the early 1980s. Fast-forward 20 years, MXR is re-launched by Dunlop and these 'vintage' remakes are once again available to the masses.

Radial has taken a different route, targeting not guitar pedals, but audio signal paths.What few realize is that beyond the sweeping phase effect, minute phase adjustments can lead to actually creating more natural sounds. It has to do with physics or more precisely, the physical location of the desired sound source and the various devices used to capture the sound.Sound travels at roughly 1100 feet per second (340 meters per second) while electricity is estimated to travel at 650,000 feet per second (200,000 meters per second) or roughly See full description. The JM-3001 from A-Designs Audio is equally ideal for both studio recording and live sound use. Hand-built in the US, the new A-Designs JM30001 features three inputs: microphone, instrument and EQ/insert, which may be used together or independently.

The product is also equipped with a highly musical three-band parametric EQ, high/low filters, and two independent transformer-balanced outputs (microphone and EQ).The heart of the JM-3001 is its C12X discrete-transistor operational amplifier designed by Carl Johnson. Operating on 30VDC rails, the C12X is a high-gain, fast-slew, stable audio block with virtually no DC offset over the audio spectrum, and is capable of driving a 50 ohm load at 50Hz with very little current draw. It is used in the microphone preamp, instrument input amp, and main output/EQ output stages of the product.According to A Designs' Peter Montessi, The JM-3001s preamp is an original design with depth and detail for miles, while the EQ is a full parametric with its own transformer, so you can use it with or without the pre.

The freq settings are highly reminiscent of classic console filters and musically complement any source you run through them. The instrument input is totally separate from the pre and EQ and sounds amazing on its own as well.' The JM-3001s microphone preamplifier is a single-stage, transformer-coupled and balanced I/O design benefitting from the C12X for ultra-transparent audio. This section feeds the EQ and preamp output mult simultaneously and includes phase reverse, a -20dB pad, +48V phantom power with LED indicator and a plastic conductive gain control pot.The instrument input preamplifier is a single-stage, single-ended, high impedance input designed primarily with guitar and bass pickups in mind.

Similarly utilizing a C12X discrete op amp, this section is separate from the mic pre and includes a 1/4-inch phone jack and gain pot on the front panel. Like the mic preamp, this section also feeds the EQ and preamp output mult simultaneously.The equalizer input/insert return is a direct-coupled, balanced input that is post the mic pre and the instrument input. Inserting a TRS 1/4' phone jack into this connection allows for direct input to the equalizer, bypassing both the mic pre and instrument input.The JM-3001s three-band parametric equalizer is a unique design featuring 33 frequencies with three bands of overlapping ranges covering from 50Hz to 15KHz. Both the frequency selection and the 12 dB equalization controls are step-type switches for precise and repeatable settings. Each band has a Q switch with three fixed positions: sharp (S), wide (W) and narrow (N).

The low and high bands are normally of a peak/dip type, but flipping the shelf switch to the up position on those bands changes the characteristic to shelf type. The shelving switch disables the Q feature on high and low bands only.When in the up position, the high/low filters insert the fixed 12dB/octave high- and low-cut filters. These filters work See full description.

Samsung quality. Amazing value. The Chromebook 3 is a quality device. But then you'd expect nothing less from a leading technology brand like Samsung. Best of all, it's an outstanding value at only 189.99 dollars. Everything at your fingertips Built-in security features ensure you're protected from viruses and malware. No setup or long load times - simply log in with a Google account, and you're in.

Navigate your world with Chrome OS. Get the best of Google, Gmail, Maps, Docs and Pics, and back everything up safely in the cloud. And since your Chromebook gets free updates automatically, it will only get better. Up for anything The strong design you'd expect from a reliable brand like Samsung. Go ahead, let the kids use it to watch movies during snack time, or keep it in the kitchen without worrying about accidents thanks to a water-resistant keyboard. Stay Charged A battery that gets up to 11 hours on a single charge means you can view the news over coffee in the morning, check emails at lunch then surf social media after dinner, all without having to recharge.

Plus it's made for the long run, since it continues to retain most of its capacity even after 3 years' use. Go light Weighing only 2.54 pounds, its lightweight and slim design makes carrying it from room to room easy. Use as a traditional notebook or recline 180 degrees to share your view. Product Specifications: OS Operating System: Chrome Processor Processor: Intel Celeron Processor N3060 Speed (GHz): 1.6GHz Turbo Boost (GHz): 2.48GHz Chipset: Intel CPU Cache: 2MB L2 Design Color: Metallic Black Display LCD Size: 11.6' Type: LED Resolution: 1366 x 768 Aspect Ratio: 1366 x 768 Brightness: 220nits Memory System Memory: 4GB Memory Configuration: 4GB x 1 Memory Type: LPDDR3 Max.

More channels. The new TASCAM DM-3200 digital mixer has more of everything that made the DM-24 a pedigreed studio workhorse.

Plus an improved physical interface with per-channel multi-function LED ring encoders, more comprehensive DAW control, vastly improved routing flexibility, easier and robust data backup/ restore, greatly expanded mix storage using compact flash media and much more.The DM-3200 features 32 full-featured channels and 16 returns for a total of 48 channels at mixdown even at its full 96kHz / 24-bit audio resolution. It has 4-band fully-parametric EQ and dynamics on every channel and two effects processors, each capable of running the built-in TC Works reverb processor.

Surround mixing is available with up to 6.1-channel panning, and the optional IF-SM/DM expansion card adds surround monitoring and downmixing to the DM-3200.The DM-3200 provides a new way to record with DAW recording software. With the addition of an optional expansion card, the IF-FW/DM FireWire interface, the DM-3200 becomes a 24-channel computer audio interface, making it a complete studio solution for professional DAW recording. Built-in HUI and Mackie Control emulation allows the console to function as a flexible control surface for workstation software. The Novation 61SL MkII Keyboard Controller gives modern DAW users every dimension of hardware control. The 61SL MkII offers a hands-on approach to navigating software, audio mixing and controlling plug-ins.

The Novation 61SL MkII is an extraordinary MIDI controller value. It integrates a DAW control surface with a quality semi-weighted keyboardwith after-touchand the most intuitive plug-in mapping capabilities available. All this musical goodness is presided over by Automap 3 PROarguably the most advanced control software on the market.61SL MkII upholds Novation's reputation for building quality hardware (like the SL Mk I, they will also appeal to performers who need a well-constructed keyboard on stage). Quality is not just reflected in their robustness, but more importantly in the way the 61SL Mk II has been designed with every detail calculated to maximize workflow. The 61 SL Mk II's visually feeds back all controller information to the user with back lit buttons and encoder LED rings.The difficulty with other control surfaces is in knowing what is assigned to what.

61SL MkII has a giant 144-character ultra-bright LCD screen that displays all the parameter names and values for the currently selected row of controllers. All 8 faders and 16 knobs are touch sensitive, so the moment one is touched, the display shows the names and values on that row and puts brackets around the controller that is currently being touched. This enables the user to see which parameter is assigned to the controller without having to change the value, or refer to their software. 61SL MkII also has a dedicated 'Speed Dial' knob, which can be used to change the value of any parameter the cursor is positioned over without making any assignments whatsoever.The 8 continuous rotary encoders have 11 segment LED rings around each of them, allowing encoders to behave like pots so the user can see the value before moving them.

All the buttons have LED lights underneath them so users can instantly see their status without having to press them. There are 8 soft-feel drum pads, a pitch/modulation wheel and an X/Y Xpression touchpad which, (along with footswitch and sustain pedal inputs), are all fully assignable to any parameter with the Automap softwareThe 61SL MkII has been designed to draw minimum current so it can be used as a USB buss-powered device, and an optional 9V DC power supply can be added for stand-alone use. As well as USB interfacing, the 61SL MkII has 1 MIDI in, 1 MIDI thru and 2 MIDI outs.The power behind the 61SL MkII's unique ability to map controllers at the touch of a button is contained within the included Automap software. Automap 3 PRO enables users to map controllers with incredible speed and easeno more digging through MIDI continuous controller numbers, the Automap server takes care of it all.

Automap's GUI gives the user a visual representation of all the current mappings on screen, as well as the ability to save and manage mappings across different proj See full description. The Ventura is a combination Mic Pre/EQ/DI from A-Designs, is inspired by the great Quad Eight vintage consoles from the 60s to the 80s. Run at optimal levels, its signal is clear and ultra transparent, with all the dimensionality, air, and extended bass you expect from high-quality analog. Push it a little harder and the Venturas custom-wound, ear-tested transformer responds with a more aggressive sound while still retaining the utmost clarity. To add its own special mojo, it features a 3-band EQ reminiscent of console EQs from the golden age of recording. And even if youre one of those engineers who religiously avoid using equalization while tracking, youll find yourself looking for excuses to use this EQespecially if you need midrange punch without harshness on guitars or snare.

Plus, the Venturas EQ can be accessed via its own insert for sweetening tracks during mixdown. The Ventura also has a high-impedance instrument DI built to enhance the performance guitar and bass pickups.The C12X Discrete Transistor Op AmpThe heart of the Ventura and source of its ultra transparent audio is the C12X, a discrete transistor operational amplifier designed by Carl Johnson. Operating on +/-30VDC rails, the C12X is a high-gain, fast-slew, stable audio block with virtually no DC offset over the audio spectrum. Plus, its capable of driving a 50-ohm load at 50Hz with very little current draw. Its used in the microphone preamp, instrument input amp, and main output/EQ output stages.

The mic preamp itself is a single-stage, transformer-coupled design with balanced I/O. It includes phase reverse, -20 dB pad, +48V phantom power with LED indicator, and conductive plastic gain control pot. The preamp section feeds both the EQ section and a preamp output mult simultaneously.True Three-Band Parametric EQThe Venturas three-band parametric equalizer is also a unique design featuring 33 frequencies with three bands of overlapping ranges from 50Hz to 15KHz. Both the frequency selection and the +/-12 dB boost/cut controls are stepped for precise, repeatable settings.

Each band has a Q switch with three fixed positions: Sharp, Wide, and Narrow. The low and high bands are peak/dip, but flipping the shelf switch changes their characteristic to shelf type. The shelving switch disables the Q feature on high and low bands only. When in the up position, the high/low filters insert the fixed 12dB/octave high- and low-cut filters, which work whether the EQ is in or out. And finally, the equalizers input/insert return provides direct input to the EQ, bypassing both the mic pre and instrument input.Guitar/Bass Pickup-Friendly D.I.Separate from the mic pre, the instrument DI is a single-stage, single-ended, high-impedance preamp that also benefits from the C12X. Designed specifically to counteract the negative effects of guitar/bass-pickup loading, it includes a front-panel 1/4? Jack and gain pot.

This section also feeds the EQ and preamp output mult simultaneously.Combining transparen See full description. The Radial Phazer is a +4dB line level phase alignment tool that lets you bring two sound sources into phase alignment to guarantee that the fundamental frequencies play in sync. On electric guitar, for example, you can use the Radial Phaser to combine the direct feed from an amp with the signal of a room mic to create incredibly fat, rich tones.

On a kick drum you can combine the attack from a close mic'd bass drum batter head with the boom picked up by an ambient shell mic. Combining top and bottom snare mic signals nets you a big in-your-face sound. For acoustic instruments, combining a spot mic with a room mic captures textures like you've never heard before. Unlike Class-AB devices that suffer from zero-cross distortion, the Radial Phazer is designed from the ground up for optimum sound quality and features 100% discreet Class-A circuitry. This results in smooth and natural sounding phase curves that are particularly important in the lower frequency spectrum. 0 to 180 degree phase adjustment is performed with a single knob, making it easy to zone in on the sweet spot. For the more adventurous, a 180-degree polarity reverse switch accesses the 181 to 360 degree range and lets you create weird to absurd Phazed' tonal textures.

This is augmented with a variable low-pass filter that lets you focus the effect in the lower frequency spectrum where phasing is most audible. Built Radial-tough for the road, the Phazer is equipped with an innovative bookend design that creates a protective zone around the knobs and switches. Construction is 14-gauge steel with a welded internal I-beam frame that protects the sensitive electronics in even the harshest touring environments. A bottom no-slip pad provides electrical insulation to eliminate electrical bonding, and mechanical isolation to reduce mishap. The Radial Phazer is a creative tool for the studio designed to expand your tonal palette. Live, it delivers great sound fast and may well turn into your best audio soul mate.Development Messing around with time travel' is not new In the dark ages of the 1970s, MXR, with their groundbreaking Phase 90 and Phase 100, ignited interest in phasing by way of modulating the phase effect for electric guitar. This inspired Radial's chief engineer Denis Rozon to start messing with phase circuits in the early 1980s.

Fast-forward 20 years, MXR is re-launched by Dunlop and these vintage' remakes are once again available to the masses. Radial has taken a different route, targeting not guitar pedals, but audio signal paths.What few realize is that beyond the sweeping phase effect, minute phase adjustments can lead to actually creating more natural sounds. It has to do with physics or more precisely, the physical location of the desired sound source and the various devices used to capture the sound.Sound travels at roughly 1100 feet per second (340 meters per second) while electricity is estimated to travel at 650,000 feet per second (200,000 meters See full description. Saffire PRO 26 is part of Focusrite's family of professional studio-quality FireWire/Thunderbolt-compatible. audio interfaces, with full 24-bit/96kHz conversion and four award-winning Focusrite mic preamps with phantom power.

The best-sounding interface in its class, Saffire PRO 26 was designed with both studio recording and live musicians in mind, offering extensive input and output capabilities for maximum flexibility.Twenty-five years of mic preamp excellence form the foundation of the Saffire PRO 26 interface. The four preamps, along with the very latest in mix control software and interfacing technology, combine to deliver seamless integration, excellent routing flexibility and rock-solid driver stability.At the heart of Saffire PRO 26 lie four award-winning Focusrite preamps. These allow unparalleled recording flexibility and ensure low noise and distortion with plenty of headroom to capture the full dynamic range of even the loudest drumkit or guitar amp. Precision digital conversion and JetPLL jitter-elimination technology maintain pristine audio quality in both analog and digital domains. The Novation 61SL MkII Keyboard Controller gives modern DAW users every dimension of hardware control.

The 61SL MkII offers a hands-on approach to navigating software, audio mixing and controlling plug-ins. The Novation 61SL MkII is an extraordinary MIDI controller value. It integrates a DAW control surface with a quality semi-weighted keyboardwith after-touchand the most intuitive plug-in mapping capabilities available. All this musical goodness is presided over by Automap 3 PROarguably the most advanced control software on the market.61SL MkII upholds Novation's reputation for building quality hardware (like the SL Mk I, they will also appeal to performers who need a well-constructed keyboard on stage). Quality is not just reflected in their robustness, but more importantly in the way the 61SL Mk II has been designed with every detail calculated to maximize workflow. The 61 SL Mk II's visually feeds back all controller information to the user with back lit buttons and encoder LED rings.The difficulty with other control surfaces is in knowing what is assigned to what.

61SL MkII has a giant 144-character ultra-bright LCD screen that displays all the parameter names and values for the currently selected row of controllers. All 8 faders and 16 knobs are touch sensitive, so the moment one is touched, the display shows the names and values on that row and puts brackets around the controller that is currently being touched. This enables the user to see which parameter is assigned to the controller without having to change the value, or refer to their software. 61SL MkII also has a dedicated 'Speed Dial' knob, which can be used to change the value of any parameter the cursor is positioned over without making any assignments whatsoever.The 8 continuous rotary encoders have 11 segment LED rings around each of them, allowing encoders to behave like pots so the user can see the value before moving them. All the buttons have LED lights underneath them so users can instantly see their status without having to press them. There are 8 soft-feel drum pads, a pitch/modulation wheel and an X/Y Xpression touchpad which, (along with footswitch and sustain pedal inputs), are all fully assignable to any parameter with the Automap softwareThe 61SL MkII has been designed to draw minimum current so it can be used as a USB buss-powered device, and an optional 9V DC power supply can be added for stand-alone use.

As well as USB interfacing, the 61SL MkII has 1 MIDI in, 1 MIDI thru and 2 MIDI outs.The power behind the 61SL MkII's unique ability to map controllers at the touch of a button is contained within the included Automap software. Automap 3 PRO enables users to map controllers with incredible speed and easeno more digging through MIDI continuous controller numbers, the Automap server takes care of it all. Automap's GUI gives the user a visual representation of all the current mappings on screen, as well as the ability to save and manage mappings across different proj See full description. The Line 6 POD Studio KB37 is a USB audio interface and MIDI controller keyboard with Pod Farm Plug-in. The KB37 boasts incredibly low noise for recording guitar, and 12dB more dynamic range than similar USB audio interfaces for clear and dynamic recordings. Plus, the POD Studio KB37 interface's exclusive Line 6 ToneDirect monitoring virtually eliminates latency, so you record amp and effect modeling without sacrificing tone or feel.NOTE: As of April 2010, if you order this product, you'll automatically be upgraded to POD Farm 2.0.Half rock-solid guitar interface, half feature-packed MIDI controller, the Line 6 KB37 is as versatile as it is powerful.

It features 37 full-sized velocity-sensitive keys, a pitch bend wheel, octave up/down buttons, and a set of software-assignable controls including a mod wheel, sound select next/previous buttons, five transport buttons, 4 knobs, and more. Its comprehensive I/O boasts a 1/4-inch guitar input (normal or pad), two balanced XLR inputs with high-quality mic preamps, phantom power and trim knobs, a 1/4-inch stereo monitor input, two 1/4-inch line inputs, two balanced 1/4-inch line outputs, S/PDIF digital output, a 1/4-inch stereo headphone output with level control, and a pair of assignable VU meters for a truly pro recording experience.Public Service Announcement: Latency KillsRecording with latency is like driving with your eyes closed. Line 6's ToneDirect monitoring allows you to record and monitor a fully processed tone while virtually eliminating latency and taking all the guesswork out of recording great-sounding tracks.What's latency?

Latency is the delay caused by the time it takes your guitar signal to travel all the way through your hardware interface, through your computer's processor, through your plug-in software, back through your hardware interface, and out of your speakers or headphones. This delay is heard in your monitoring signal and makes recording almost impossible. With a POD Studio KB37 interface, latency is something you won't have to worry about.

Start Recording Right Out of the BoxPOD Studio KB37 includes POD Farm plug-in, Ableton Live Lite Line 6 Studio Edition 16-track recording software (ideal for guitarists), and award-winning Reason Adapted production software featuring a sought-after sequencer and tons of stunningly lifelike instruments. Bundle Includes: Vivitek HK2288 Ultra HD 4K Projector Ceiling Bracket for Projector (Black) UltraHD projector for the home cinema enthusiast Experience true home cinema with Vivitek's new ultraHD HK2288 projector. Designed with the home cinema enthusiast in mind, the HK2288 projector utilizes the latest advancements in video processing technologies to create an amazing image with outstanding details and stunning visuals. Packing a REC10, HDR10, DLP DarkChip3, BrilliantColor and a 6-segment (RGBRGB) color wheel, these new HK2288 ensures that projected images and videos are displayed with optimal black levels and vibrant colors. The HK2288 supports a 1.5x zoom range and vertical lens shift for greater installation convenience and flexibility. Additional features include long lasting energy efficient lamp, 10W audio speaker, powered USB port, and advanced HDMI 2.0 (x3) connectors for high quality digital video signals and quick data transfer rates.

These user-friendly and versatile Vivitek HK2288 deliver a flawless performance expected by today's home cinema enthusiast. Designed for the singer/songwriter, the SA220 Solo Performance System is a powerful, yet lightweight, systemproviding exceptional sound quality and coverage in a wide variety of venues.

220 watts of clean, lightweight power drive a line array of six custom high-excursion speakers and a soft-dome tweeter. This unique combination delivers incredibly full sound, ultra-wide dispersion, and deeper sonic penetration than the common speaker cabinet. Better yet, the enhanced bass response of the custom-designed speakers means there's no need for a subwoofer.With the SA220 system, the performer and audience hear exactly the same sound, meaning there's no need for separate wedge monitors or a combo amp backline. The SA220 is voiced for the singer/songwriter, acoustic instruments and vocals are projected with superb depth and clarity.The ultimate in portabilityThe SA220 weighs only 25 lb., ships complete with a padded bag equipped with wheels, and includes a rugged speaker stand. Set up takes less than a minute, with only one trip to the car.

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Plus full-digital universal power means that its amplification system is ready to travel anywhere in the world (compatible with international power systems).Features that performing musicians demandFishman didn't make the SA220 this portable by scaling back on features or tone. It's also equipped with two mic/instrument channels featuring high-quality preamps, each with 3-band EQ, phantom power, built-in reverb, effects loop, and feedback-fighting notch filter, and phase controls. Designed for the singer/songwriter, the SA220 Solo Performance System is a powerful, yet lightweight, systemproviding exceptional sound quality and coverage in a wide variety of venues. 220 watts of clean, lightweight power drive a line array of six custom high-excursion speakers and a soft-dome tweeter. This unique combination delivers incredibly full sound, ultra-wide dispersion, and deeper sonic penetration than the common speaker cabinet.

Better yet, the enhanced bass response of the custom-designed speakers means there's no need for a subwoofer.With the SA220 system, the performer and audience hear exactly the same sound, meaning there's no need for separate wedge monitors or a combo amp backline. The SA220 is voiced for the singer/songwriter, acoustic instruments and vocals are projected with superb depth and clarity.The ultimate in portabilityThe SA220 weighs only 25 lb., ships complete with a padded bag equipped with wheels, and includes a rugged speaker stand. Set up takes less than a minute, with only one trip to the car. Plus full-digital universal power means that its amplification system is ready to travel anywhere in the world (compatible with international power systems).Features that performing musicians demandFishman didn't make the SA220 this portable by scaling back on features or tone. It's also equipped with two mic/instrument channels featuring high-quality preamps, each with 3-band EQ, phantom power, built-in reverb, effects loop, and feedback-fighting notch filter, and phase controls.

Highlighting two industry-acclaimed D-PRE microphone preamps, class-leading 24-bit/192 kHz converters and a rock-solid metal housing, the UR22 audio and MIDI interface provides pure sound wherever you are. With a dedicated high- impedance switch, a separate headphones jack and phantom power supply, this portable 2-in/2-out device is the perfect choice for mobile musicians, touring DJs and everyone in between.Connecting: With a maximum sampling rate of 192 kHz and a resolution of 24 bits, you are ready to deliver great-sounding music productions. The UR22 includes first-rate A/D and D/A converters that provide supreme sonic fidelity. And where others come to a halt, the UR22 begins to shine. With a maximum sampling rate of 192 kHz and a resolution of 24 bits, you are more than ready to deliver future-proof music productions. Sound: Yamaha's highly-acclaimed D-PRE preamps deliver a truly transparent and beautifully detailed sound that is unrivaled in this class.

The microphone preamp is one of the key factors in recording and thats why the UR22 interface is equipped with two stellar-sounding D-PREs. These preamps are the culmination of years of development by the experts at Yamaha. The result is a truly transparent and beautifully detailed sound that is unrivaled in this class. Whether you're looking to record acoustic instruments, vocals, an electric guitar or ambient textures, with the UR22 you can easily capture any audio source. Reliability: Built to the most exacting standards by Yamahas experienced engineers, the UR22s full metal chassis is rugged enough to withstand all the rigors of the road.

The UR22 is addicted to touring. Its small enough to be rushed from gig to gig and rugged enough to withstand all the rigors of the road. Built to the most exacting standards by Yamahas experienced engineers, the UR22s full metal chassis is reassuringly solid. You're free to hit it with your drumstick, throw it into the tour bus or simply open a beer with it thanks to its impressive manufacturing quality the tour-tested UR22 is always ready to roll.

Monitoring: The UR22 features latency-free hardware monitoring and an intuitive Mix knob that allows you to blend between the direct signal and the output of your host. What you play is what you immediately hear. The Mix knob allows you to seamlessly blend between the direct signal of your instrument and the output signal of your host. And thanks to the independent headphones and main output controls you can adjust the monitor and phones level individually. The MIDI I/O allows you to connect your keyboard or any other MIDI-compatible control device, such as pad controllers, footswitches and sound modules. Two TRS outputs, ultra-stable drivers and a USB 2.0 connection complement the feature set of this professional yet affordable device.Compatibility: The UR22 is compatible with all major audio editing, mastering, and music production software supporting ASIO, Core Audio, or WDM standard.MIDI: For utmost f See full description. Highlighting two industry-acclaimed D-PRE microphone preamps, class-leading 24-bit/192 kHz converters and a rock-solid metal housing, the UR22 audio and MIDI interface provides pure sound wherever you are.

With a dedicated high- impedance switch, a separate headphones jack and phantom power supply, this portable 2-in/2-out device is the perfect choice for mobile musicians, touring DJs and everyone in between.Connecting: With a maximum sampling rate of 192 kHz and a resolution of 24 bits, you are ready to deliver great-sounding music productions. The UR22 includes first-rate A/D and D/A converters that provide supreme sonic fidelity. And where others come to a halt, the UR22 begins to shine. With a maximum sampling rate of 192 kHz and a resolution of 24 bits, you are more than ready to deliver future-proof music productions. Sound: Yamaha's highly-acclaimed D-PRE preamps deliver a truly transparent and beautifully detailed sound that is unrivaled in this class. The microphone preamp is one of the key factors in recording - and that's why the UR22 interface is equipped with two stellar-sounding D-PREs.

These preamps are the culmination of years of development by the experts at Yamaha. The result is a truly transparent and beautifully detailed sound that is unrivaled in this class. Whether you're looking to record acoustic instruments, vocals, an electric guitar or ambient textures, with the UR22 you can easily capture any audio source. Reliability: Built to the most exacting standards by Yamaha's experienced engineers, the UR22's full metal chassis is rugged enough to withstand all the rigors of the road.

The UR22 is addicted to touring. It's small enough to be rushed from gig to gig and rugged enough to withstand all the rigors of the road. Built to the most exacting standards by Yamaha's experienced engineers, the UR22's full metal chassis is reassuringly solid. You're free to hit it with your drumstick, throw it into the tour bus or simply open a beer with it - thanks to its impressive manufacturing quality the tour-tested UR22 is always ready to roll. Monitoring: The UR22 features latency-free hardware monitoring and an intuitive Mix knob that allows you to blend between the direct signal and the output of your host. What you play is what you immediately hear.

The Mix knob allows you to seamlessly blend between the direct signal of your instrument and the output signal of your host. And thanks to the independent headphones and main output controls you can adjust the monitor and phones level individually. The MIDI I/O allows you to connect your keyboard or any other MIDI-compatible control device, such as pad controllers, footswitches and sound modules. Two TRS outputs, ultra-stable drivers and a USB 2.0 connection complement the feature set of this professional yet affordable device.Compatibility: The UR22 is compatible with all major audio editing, mastering, and music production software supporting ASIO, Core Audio, or WDM standard.MIDI: For See full description. Consider the A-Designs Pacifica solid state stereo microphone preamplifier if you're ready for your first really good preamp-or the last one you may ever need. How often in life do you encounter someone or something that no one has anything bad to say about? We haven't met that 'someone' yet, but the 'something' is the A Designs Audio Pacifica solid state, dual-channel preamp.

This Tec Award nominated beauty has won more praise from engineers and producers than just about any other preamp to hit the streets in a long, long time. A Designs Audio Pacifica, First Take: 2-channel, solid state preamp with 2 x front-panel Hi-Z inputs Custom-wound input and output transformers Captures the sound quality of the legendary Quad Eight console but with more presence and high end Balanced XLR I/O, phase reversal, -20dB pad, +48V phantom power The Sound of the '70s Reborn The 1970s was a time of great music and great change in pro audio-a golden age if you will. The introduction of 'solid state' electronics led to an explosion in development and a very different sound than the tube gear of previous decades. The recording console in a high-end 1970s studio was likely a Neve, API, or Quad Eight.

These companies set the standards for audio quality - with a unique sound firmly imprinted on the popular recordings of the era. Even though the Quad Eight mysteriously faded from view, many engineers firmly believe that the Quad eight Ventura, Coronado, and Pacifica consoles were the very best sounding of the big three. Boston's 'More Than a Feeling' and Pink Floyd's The Wall were mixed on a Quad Eight!

But rather than just crank out another clone, A Designs Audio's Peter Montessi and audio designer Jon Erickson (who spent years bringing vintage gear back to life for LA studios), added their own touch to bring the preamps of the glory days to serve the present-day needs of the recording world. The result is the Pacifica, a fabulous-sounding preamp the captures the heart and soul of the California and takes the LA sound a step further. Custom Transformers, the Key to a Big Punchy Sound In solid-state preamp design, the key to a big punchy sound rests in the input and output transformers. (That's where you get what is known as the 'big iron' sound of the '70s). To ensure top-quality sound, A Designs has their transformers custom-built by Tom Reichenbach of Cine-Mag, whose lineage extends back the days when his father Ed built transformers for Altec-Lansing in the '40s. (Ed Reichenbach was also one of the designers of the Quad Eight console on which the Pacifica is based.) Not only are the transformer hand-made, they're also ear-made' by Jon and Peter, who won't okay a transformer design until they get exactly the sound they're looking for.

After extensive listening tests and redesign after redesign, they finally found the sound they were looking for. And herein is the most important distinction of the A Designs Pacifica. While its name, look, and inspiration was taken See full description.

Now available, Black Friday ad scans of: Sears Kmart Lowes Old Navy Ads listed: Harbor Freight Toys R Us Big Book (Sale begins Nov 1) Harbor Freight - More to come as it is released. Tools & Hardware 1000 lb. Capacity Mover's Dolly - $11.99 12' Sliding Compound Miter Saw with Laser Guide - $119.99 18V Cordless Drill & Flashlight Kit - $ lb. Capacity 12V Wireless Remote Controlled Camouflage Portable Winch - $49.99 45 Watt Solar Panel Kit - $159.99 6' Digital Caliper - $9.99 90A Flux Wire Welder - $89.99 Air Angle Die Grinder 1/4' - $8.99 Electric Chain Saw Sharpener - $24.99 Foldable Shop Crane (1 Ton Capacity) - $99.99 Pliers Set (6-Piece) - $7.99 Portable Air Compressor (2HP, 8 Gallon, 115 PSI) - $79.99 Steel Loading Ramps - 2 Piece - $39.99 Tool Storage System - 3 Unit - $139.99.

November 1st big book! Toys 19 Inch Horse and Sleigh - $99.99 Adventure Playhouse - $249.99 Air Hogs Switchblade 27MH - $54.99 Air Hogs Switchblade 27MH - Red/White - $54.99 Air Hogs Switchblade 27MH - Yellow/Black - $54.99 Air Zone Automatic Tommy 20 - $19.99 Air Zone Dual Fire Dart Blaster - $9.99 Air Zone Punisher Gatling Blaster - $34.99 All LeapFrog Jr. The toys are us ad is not for black friday, but is the sales that will begin when the big book is released on November 1st. Harbor Freight is only the 1st 2 pages of the ad, as more pages are released I will post them.

As more people get there hands on the ads, they scan them & send them to various websites. I receive email notifications when a new ad has posted & will post them here as soon as possible.

In case you wondering, the way these ads get to some of these websites so early, is from people that have had early access to the ad, such as marketing people, the printers or newspaper distributors. Often times an employee of one of these companies will take a picture of the ad pages, or smuggle out a copy, scan it & send it to the various black friday websites.

Sometimes these ads are only up for a very brief period of time. NOTE: An. denotes door buster specials.

Automotive 2-pk Water Bottle Set - $6.49 3-pc Travel Mug and Thermos Set - $7.49 75-Pc Premium Auto Safety Kit - $19.99 BFGoodrich G-Force Super Sport A/S - $74.99 BFGoodrich Long Trail Tour - $89.99 BFGoodrich Traction T/A T-Rated - $84.99 Bluetooth Automotive Headset - $14.99 Bridgestone HP550 w/Uni-T - $64.99 Bridgestone Weatherforce Plus w/Uni-T - $44.99 Bridgestonr Dueler APT IV w/Uni-T - $99.99 Cobra 2-way Radio - $29.99 Cobra Radar Detector - $29.99 Comfort Seat Cushion w/Heat & Massage - $17.49 Cooper Response Tour.